Showing posts with label science fiction. Show all posts
Showing posts with label science fiction. Show all posts

Sunday, October 30, 2011

The Gradient between Science Fiction and Fantasy

What is Science Fiction? What is Fantasy? What do they have in common? How are they different?

You might as well try to write a grammar book. What is a verb?  Define it, please!

Okay, whatever.

Back when people were living in caves, if Ugh the storyteller came up with a neat little tale about how those fluffy white things in the sky were sentient beings of some sort, and how when they darkened and poured down torrents of water it meant this thing or that thing, the tribe gave him a chunk of meat to eat even though he hadn’t been involved in the hunt.

That was a pretty good deal for Ugh. If he was a thoughtful person maybe he really believed his story was possible. Perhaps he was actually engaged in honest speculation. So let’s call him the prototypical science-fiction author.

On the other hand, maybe Ugh was a mystic who truly believed the clouds were departed spirits or whatever. So was he a fantasist, then? Well, if you allow the concept of "spirits" into your worldview in the first place, is it really mysticism at all? I would answer no. So Ugh should be considered a mainstream author in that case.

And in fact, since the estates of ancient cave dwelling authors aren't protected by current copyright law, you could legitimately riff on one of his old stories without fear of consequence: Cloud People—Today's Generation. 

Ah, but you know that clouds aren't sentient beings, don't you? Then I'm sorry to tell you this, bub, but you've just moved into the fantasy authors' ghetto. The welcome wagon will be along to visit you shortly.  

Now, at some point, some bright soul in Ugh's tribe probably noticed that water evaporates in the sun. And sooner or later people will generally notice that fog and mist feel wet, and that they both resemble clouds. So eventually the tribal consensus would have been that clouds are a form of water.

But as long as nobody could prove it, well, we'd still have some wiggle room.

Nevertheless, if Ugh's grandson had continued the "sentient cloud" series a generation later, when everybody finally "knew" that clouds were made of water, he'd probably also have been labeled a fantasy author.

Do you see what I'm getting at?

I recently saw a great article by Lois McMaster Bujold on this subject (it was on the CD-ROM that was included with Cryoburn). She opined that science fiction aficionados were seeking a "sense of wonder", whereas fantasy buffs were looking for a "sense of the numinous".

She's written some great stuff in both genres, so I'm inclined to listen to her.

Now, she didn't say this, but it seems to me that the "sense of wonder" people are basically in awe of the natural universe but don't care to have dogmatic explanations shoved down their throats. Which means their ranks will include atheists (who are quite the dogmatists themselves, ironically enough), agnostics (some of whom could go either way), and a large group of quite sensible people who intuitively have faith and are open to amazing possibilities.

Conversely, I think the "sense of the numinous" folks are more in awe of the very fact of existence itself, and are a little less blown away by its outward manifestations.. They wish to find something they're longing for rather than to discover something new.

What something? Again, their ranks will include many sorts of folks, and their answers to that question will vary all over the map.

There, is that all vague enough for you?

Obviously, the two fandoms aren't mutually exclusive. There are people who like both genres.

As far as that goes, lots of scientifically-minded people have a mystical/religious streak. I fall into that category myself. And I definitely like both genres.

How about you?

Tuesday, September 6, 2011

Predictions

In this brave new world of indie publishing, obviously there will be many more stories published then there were under the old system. They will be written by writers in various stages of development and with wildly varying degrees of flair. We all know it's inevitable.

Readers and critics may be more understanding then we think. We've at least got enthusiasm and passion going for us, and people may pick up on that. Hey, slush could become fashionable. It might even become an area of study.

Stranger things have happened. If things do turn out that way, remember—you learned about it here first.

I can think of at least one precedent for my prediction—The Eye of Argon

But I digress.

In my home genre of science fiction, there have been many tides of fashion over the years. I'm betting we'll soon be revisiting a lot of them.

For example, once there was something called New Wave. In its heyday (the mid-to-late-1960s and the early 1970s) it indeed seemed novel and exciting. I won't attempt to define it, exactly, but there was a certain psychedelic stream-of consciousness aesthetic to a lot of it, and literary pretensions absolutely abounded—but they were good-hearted pretensions, all in all, and a lot of good stuff got published. Some writers were pigeonholed as New Wave whether they embraced the movement or not (which was probably good for them commercially), but others felt left out who needn't have doubted their own coolness. It was a heady time.

There are probably at least a few writers who still wish to mine that particular vein of ore. And now they can all be published.

Then there was that whole "Del Rey Books fantasy gravy train" back in the 1980s. That was when Tolkien-style fantasy became viable as a separate genre in its own right (to the point where the Science Fiction Writers of America changed their name to the Science fiction and Fantasy Writers of America, thus cleverly keeping their acronym), due mainly to the vision of one Judy-Lynn Del Rey, who was surely as influential an editor in her own time as John W. Campbell was in his.

Even now a boatload of fantasy writers are doubtless waiting in the wings—including some younger ones inspired by Tolkien's timeless tale who missed that early-80s tsunami of stuff the first time around—and they're all hoping we'll love them. Some of them could even attain their desire.

I'd be remiss if I didn't mention Cyberpunk at this point, but I'm durned if I have a lot to say about it. On the whole, I think it took itself too seriously, but I have to acknowledge the sheer brilliance of William Gibson, and the Cyberpunk aesthetic has certainly been an influential one, even on me—George's databand in Saviors of the Galaxy owes something to Cyberpunk, I think (although I first encountered the concept of 'jacking in' in Samuel R, Delany's Nova, way back in the New Wave era). But I have to admit I resisted reading Cyberpunk solely for the sake of its supposed importance. Which probably means that I missed out on some good stuff.

Might there yet be a few Cyberpunk authors out there hoping to wow us all with their visions?  What do you think?

I'll give one final example of an SF trend (though I could probably think of others): Starting in the early 1960s there was a vogue for something you might call Science Fantasy. Examples would include Marion Zimmer Bradley's Darkover series, Anne McCaffrey's Dragonflight series, Ursula K. LeGuin's first novel Rocannon's World, many of Andre Norton's novels including the Witch World series, Leigh Brackett's Ginger Star trilogy, and Frank Herbert's Dune series.

There. I've finally gotten around to what I actually wanted to talk about. I don't know how fashionable Science Fantasy might be at the moment, but it's the sort of thing I want to write. And I'll have more to say on the topic in my next installment.

Thanks for dropping by.

Friday, June 24, 2011

A bit of backpedaling

Yesterday's rant against the publishing industry was maybe a little over the top.

It doesn't really do to demonize anyone.  Or any institution, for that matter.  So I hereby apologize for any bad vibes I may have broadcast.

I've socialized with editors at Science Fiction conventions.  They're generally nice people.  I certainly didn't mean to cast any aspersions their way.

That doesn't mean I've changed my opinion!  The editors aren't in control of their companies these days.  The bean counters are.

When I read on her blog about the contract shenanigans they tried with Kristine Kathryn Rusch, I was stunned.  The woman used to be editor of Fantasy and Science Fiction, for crying out loud! If they'll pull that sort of crap with her, I can't help but think they'd chew me up and spit me out without a second thought. Or pretty much any of us.  It's dismaying.

And that business about the e-book royalties? That's just horrible.

But I gather SFWA are looking into the situation. So thank goodness for that much. Maybe sanity will eventually prevail.

But all things considered, I'm glad to be an indie writer right now.

Still, I'm wishing everybody in the business well. Peace and love, people, peace and love.

Just wanted to get all that off my chest.

Wednesday, June 22, 2011

A beginning

Okay, hello out there, all you people reading this!  Welcome.

My name is Michael Edward Walston, and I'm a science fiction writer who is about to embark on a voyage into the realm of indie publishing.

I've been writing for years, and I've seen the number of markets where new writers without agents can submit their work shrink steadily.  Like many others, I have found this to be discouraging.

Then I discovered http://www.smashwords.com/.  This is a website that allows you to publish a book in electronic form--for free--and then charge people for downloading it.  You can set the price yourself, or even give it away for nothing.  If you do charge for it, Smashwords keeps 15% of the take--and they also provide a free distribution channel that allows you to get into other online stores. The ones available change from time to time but they currently include the Apple iBookstore, Sony, Kobo, Borders, Diesel and others--and word is that Amazon will soon be included too.

Offhand, I can't remember the last time my thinking about something changed so drastically in such a short time.  It took maybe five minutes to decide I wanted to go this route instead of continuing to bash my head against the brick wall of "Big Publishing".

I'll have much more to say on this topic in future posts.

Stay tuned.